Any art-object has to
- help evolution
- have high-level energy
- have its own style and idea
- be well executed
Here’s how it can be achieved.
First of all art has to be the artist’s vocation in other words, he has to pursue art out of his natural predisposition. If it isn’t so – even if he’ll master the technique and have right ideas – he won’t be able to enrich his work with enough love, energy and attention. His audience will lack all that.
Second, the artist has to be talented and get the right education that will help him develop his individual style. He has to have strong will to fight for his understanding of beauty and vision of the world. Creative process is directly connected to magic – affecting people with forms (constructions, design) and color, so it’s important to understand the importance of how, where and when the works are shown, and how they are going to influence people. Modern art echoes the mystic rituals of the old days, so they have to be rediscovered within.
Third, the artist needs to have solid knowledge of philosophy that would help him to enrich the objects he creates with abstract superideas. So, considering the situation in modern education, an artist first of all needs strength and intuition to find the right teachers to develop himself.
This is an absolutely necessary minimum: spiritual teacher + psychologist + understanding magic of forms + visual art teacher, people who would help the diamond of an artist’s talent to shine. Without these elements a natural will have hard time reaching the peaks on his journey.
The situation on modern visual art scene.
Artists who don’t have talent try to cut each other’s throat just to be able to suck from the powerful (court artists) or the rich. Gallery owners instead of developing artists’ talents spend their time promoting their own inadequate opinion or make money (promote what’s popular instead of energy-charged) or trying to please the owner of their business. Therefore, the existing system doesn’t raise the vibration level of the audience, but drowns it in the private opinion of an average person with money. Art is substituted with business, showing off and power.
On the standards.
If we evaluate paintings and art objects not based on their age, market value or public opinion, 99 percent of all art is inherently false. We could say that everything that we see in the galleries, doesn’t develop people, but puts them into the emotional dumps of some artist’s self-expression, depressed emotions that an artist threw on the canvas.
Also, nobody pays attention to the fact that art expires. Something that was progressive 30 years ago doesn’t affect people the same way now, because the time and the energy coming from space to Earth have changed. That’s why most of the artists, who are considered classics are useless when we speak about personal development.
The galleries also don’t take into account that people are developed in a different way. Separate visit programs have to be developed for viewers of different levels and different psychological types.
In short this is what has to be done with the art-market now:
- we have to reject money as the main principle
- the main principle should become the value art brings to different professional groups, psychological groups, energetically and intellectually developed people, spiritual elite, children, men, women… Art should be seen as an instrument of personal development, which was its initial sense.
Extrasensory perception experts and a few people who still understand art should pick out the useful art objects. Of course the time factor has to be assessed: how long this program will work and when it will expire.
Often the mistakes in picking the right material are combined with the wrong presentation, for example the light is set in a wrong way. An exhibition is not just paintings hanging on the walls, it’s a show of forms, space and the right host. If managed correctly an exhibition is atmosphere and communication, communication with the creator of the works, not just a banquette, with 10 minutes given to the author.
On the whole, to revive the visual arts we need to completely change the system of art education, the connection between art and society and the place art occupies in people’s lives.
To be continued.